Wednesday, March 6, 2013


 KILLER POET LAUREATE



“He looks like Heathcliff; he 
is rough, passionate, forceful”
—Jill Barber
______________

I was nothing but a Murderer—
Mytholmroyd Hoodlum of the Moors

I slaughtered the English Muse—
Like I caught and killed stupid rabbits

I skinned and gutted them raw—
All bloody there in the kitchen sink
________________

But Sylvia Plath my American wife—
She hated my guts for doing it

She wanted me to be Wolf in bed—
But not in her clean tidy kitchen

She was afraid of me all the time—
Surely I’d kill her & the kids someday
___________________

What else could she expect from a—
Yorkshire Killer like Jack the Ripper?

The same with Eliot and Auden—
Those pansy British poets of renown

Down on their knees giving me a—
Blowjob for British Poetry posterity
________________

Especially Auden & his nelly lover—
Chester Kallman & his young Gk soldiers

Going down on them in the Acropolis—
In the ancient naked Athens moonlight

These were the nelly British queens who—
Slithered in Britain's Waste Land of Fags
_______________

They clung to me at cocktail parties—
Attracted to my butch Mexborough smirk

The more I scorned and ignored them—
The more they wanted to publish me

It was surely Publish or Perish for them—
They craved my sullen Killer Poet Instinct 
___________________

Something they couldn’t possibly possess—
Even Sylvia when she got me, hated me

As long as there were New England coeds—
And wanton sluts in the poetry readings

She couldn’t be sure I was totally hers—
Especially when Assia put the make on me
_________________

I was a Killer poet, killing both of them—
Gassing them both to death to shut 'em up

Assia the accomplice who helped me shove—
Sylvia's unconscious body deep into her oven

Women were like hunted trapped rabbits—
Caught in my strong hands, choked to death
_____________

The British Empire always ruled by Killers—
A Killer Poet Laureate is just what they need!!!




Sunday, December 30, 2012

Cadillac


CADILLAC 


Garish chrome-tittie Cadillac—
Sleek Americana Land Cruiser

Gimme back the Fifties again—
Detroit before the Denouement

Gimme back the Sleek Fins—
That Marilyn Monroe Plush Gush

Gimme back the Good Times—
The Cadillac Consciousness





Thursday, December 13, 2012

Salome (1953)




SALOME (1953)


Nothing like a campy—
Hollywood Sword & Sandal
Biblical Epic to Butch me
Up for Sunday School!!!

To face the Christians—
Slithering every Sunday
Guilting me severely with
Damning demeaning Hell!!!

And to think, my dears—
Christians once back then
Such Fearful Closet Cases
Under the Roman sword!!!

Both Charles Laughton—
And Miss Stewart Granger
Such flaming LA Queens
What Faggy Filmographies!!!

“Salome” tells the story—
About Christian persecution
John the Baptist’s holy head
Plopped on a Silver Platter!!!

How things have changed—
Rome the New Religious Right
Jerry Fartwell & Jimmy Swaggart
Preaching hatred for all Queers!!!

Backed by rabid Mormonism—
And Revered Edie Long Dong
Christians the New Persecutors
Let Salome begin her Dance!!!


Wednesday, December 12, 2012

Salome


SALOME


“At Princeton on Monday a freshman
asked Antonin Scalia to explain his
legal writings comparing sodomy
bans with laws prohibiting bestiality
and murder.”—Juliet Lapidos
The NYTimes December 11, 2012

The exquisite Beardsley—
Illustrations for Salome,
My dear, so very campy
And preciously naughty

The same with campy—
Miss Wilde doing her own
Drag version of his
Kitschy play “Salome”

But Rita Hayworth’s—
Movie of Miss Salome
With the enthralled
Queen Charles Laughton

Takes camp beyond—
The beyond until the
Head of John the Baptist
Gets plopped on the plate

Miss Stewart Granger—
Doesn’t butch things up
Very much either when
It comes to Salome

No matter how many—
Dances of the Seven Veils
It would surely take a
Thousand veils to conceal

Poor John the Baptist—
Didn’t have a chance
Not with Judith Anderson,
Rita Hayworth and Charles
Laughton in the wings

Judge Scalia should ban—
This shocking flick because
Of its sodomy, bestiality
And murder most foul!!!!

Wednesday, November 21, 2012



Graham Greene: The Enemy Within
By Michael Shelden

“While Norman Sherry is still engaged in writing his hugely detailed, three-volume Greene biography comes this deconstructionist effort by the author of studies of Cyril Connolly and Orwell. Shelden began work intending an "affectionate portrait," but "along the way I kept uncovering unpleasant facts." That is a considerable understatement. Shelden has portrayed Greene as an eternal manipulator, of friends as well as of the world press; as a man whose ostensible religion and politics were shams, whose early books?including the much-admired Brighton Rock?contained reprehensible anti-Semitic elements; and, artistically, as a writer who underwent a decline after The Heart of the Matter in 1948, with only occasional glimpses (as in The Human Factor of 1978) of the huge talents he once possessed. Although Greene was renowned for his louche sexual habits (Shelden asserts he could have authored a splendid guide to the world's best brothels), it has not previously been documented that he had homosexual inclinations. Shelden avers that in his hideaway on Capri, he dallied with young boys, and that there are passages in his work that can only be seen as the product of a gay sensibility. Shelden's scrutiny of Greene's work is scrupulous, and certainly suggests that some reassessment of much of it is in order. In the case of Greene's private life, it is clear that his habitual evasiveness and cunning render many of his actions subject to various interpretations. Shelden's book is certainly an impressive brief for the prosecution, even if this most mysterious of contemporary writers continues ultimately to baffle and elude us.”— From Publishers Weekly

Sunday, October 21, 2012

Mildred Pierce



MILDRED PIERCE



Ann Bylth
Zachary Scott
Lana Turner
Joan Crawford

Ann Bylth


“Veda, I think I’m really seeing
you for the first time in my life,
and you’re cheap and horrible.”
—Joan Crawford in
“Mildred Pierce” (1945)

I ended up, of course—
In a mildewing version
Of Mildred Pierce

Playing a tres bitchy—
Spoiled-rotten slutty
Little tramp like Veda

Putting the make on—
My Mother’s handsome
Slinky second husband

I was such a whore—
Betraying my lovely
Joan Crawford mother

She couldn’t believe it—
When she found me
Sucking off Zachary Scott

Zachary Scott


Once you’ve seen one—
You’ve seen them all
The male gigolo types

Zachary Scott playing—
Monte Beragon getting
Just what he deserved

For calling me just a—
Rotten little tramp
When he was one too

Mommy Dearest—
Played such a simply
Divine Blanche after

I pushed her down—
The stairs in her nice
Little old wheelchair

Lana Turner


One thing’s for sure—
Both Joan Crawford and
Lana Turner were alike

They both had rotten—
Daughters just like me
It was such a shame

Sandra Dee tricked—
With John Gavin in
“Imitation of Life”

Just like mulatto—
Slutty Susan Kohner
Betrayed Juanita Moore

I was no different—
Just a rotten little tramp
Like the other girls

Joan Crawford


Queer Theory Queens—
Are trashing & dishing
Me behind my back

They’re saying I’m—
Either outmoded or
The epitome of camp

I used to be a Diva—
In movies like Whatever
Happened to Baby Jane.

Bette Davis and me—
We were the Queen Bees
Of Hollywood Babylon!!!

Even tho trashy imitators—
Like Faye Dunaway try to
Mime Mommy Dearest