Troubled Jaguar
__________________
Troubled Jaguar
The London Zoo
Jaguar Sermon I
Jaguar Sermon II
De-evolution
Seancing the Self
_______________
Troubled Jaguar
“The sculpture, which Hughes
gave to his brother, is particularly
striking because he branded the
jaguar's forehead with the letter 'A',
possibly for Assia or "adulterer", as
recalled in Nathaniel Hawthorne's
The Scarlet Letter, in which a woman
is sentenced to wearing the letter
A around her neck.”
—Dalya Alberge, “Ted Hughes's
Jaguar Sculpture Hints at Poet's
Demons,” The Guardian, Dec 31, 2011
http://www.guardian.co.uk/books/2011/dec/31/ted-hughes-jaguar-sculpture-sale
___________________________
But why just Assia?—
Why not Hughes himself
Addicted to adultery like
A jaguar to blood?
Moody Moors male—
Admired by so many for
His unabashed natural
Manhood demeanor
Can we enclose him—
In a cage like a panther
In the London Zoo with
Him behind bars?
_______________________
So many lit crit experts—
Both men and women
And even Queen Elizabeth
Loved his uncouth ways
His wild Yorkshire—
Hunting Fishing Trapping
Worship of the Goddess
Gaia of the Moors?
Was he not what—
Men are supposed to be
Or used to be back when
Men were wild Jaguars?
__________________________
And yet he was caught—
But then he struggled
To be free, this troubled
Man like you and me?
_________________________
The London Zoo
—for Frieda and Nicholas
I took them thru—
The Park to the Zoo
To get them outta that
W. B. Yeats madhouse
Panthers pace back—
And forth in the cages
Monkey-brained humans
Strutting like cheap tarts
I wanted them to see—
How invisible cages
Enclose all of us
Living in a dream
But the slinky jaguar—
Caught my eye and made
Me realize that not even
Poet-Panthers are free
_______________________
Poet-Panther
—for Ted Hughes
I dream in the—
Invisible Zoo slinking
Paw after paw stalking
The human prey
The naked apes yawn—
Eating their peanuts
Monkey-brain humans
Naked ape drowsers
Cheap tarts mincing—
Fatigued by indolence
Shrieking like parrots
Their kids in strollers
The Invisible Zoo—
With bars just as real
As the steel ones
Between them & me
___________________________
Jaguar Sermon I
“No, the serpent didn’t
Seduce Eve to the apple”
—Ted Hughes, “Theology,”
Wodwo
Adam ate the apple—
Then he ate out Eve
And God was jealous
So very displeased
So he cast the Serpent—
Down between Adam’s legs
And made the Snake grovel
And wiggle down there
Casting the Serpent—
All the way down as the
Snake with Two Legs
Walking the naked earth
So the next time—
He raises his ugly head
Smoldering arrogant Snake
Know his Downfall is yours
___________________
Jaguar Sermon II
“That rose slowly
towards me, watching”
—Ted Hughes,
“Pike,” Lupercal
The Snake hardly moves—
Fossil-slow Boa-Constrictor
Captured in the London Zoo
Down between his legs
The era of Giant Lizards—
Isn’t over sitting in its
Prehistoric stillness and
Slow-motion wisdom
Mucousy slug tracks—
Beneath Iago idiot eyeballs
Close to the Killer Cobra
Eclipse of monkey-brains
African Garden of Eden—
Retro-engineered just right
With a flawed genetic code
Panther Killer Chromosome
___________________
De-Evolution
“Had those antlers
fallen from a star?”
—Ted Hughes,
“The Last Migration,”
Uncollected Poems
So God died—
And a new god with a
More narrowed insight
Using the Word reversed
Gazed backward in Time
Standing there was Man—
Pandora Box of Pain
Purposeless pale gristle
Cloying unbelievably
To the empty horizon
___________________________
A Devil with antlers—
Hoisted on a dazed curly head
A Michelangelo body but
A dreary draughty brain
Veiny Baroque Bernini legs
Cluttered there among—
The other unbelievable
Leftovers of hooves and
Antlers and roots that didn’t
Belong to a Garden of Eden
________________________________
Burning the Brothel—
Spiraling Time backwards
Counter-clockwise weightlessly
Shuddering haunches and horns
Into the vortex of words
Quarks quaking—
Black holes suckin in
The tumbling final Thunder
Back thru the eye-pupil
Connecting what had spoiled
___________________
Seancing the Self
“Godforsaken darkness—
This monstrous-headed
difficult child”
—Ted Hughes,
“The Perfect Forms,”
Lupercal
Undoing the Ouija Pan voice—
Remaking the Tarot deck closely
To fit the faces of Eve and the
Periplum perplexities of the Pike
How to make the bars disappear—
The invisible cage in the London Zoo
Undoing the bed we slept in and
Undreaming the Fortune Teller jive
_______________________
Retooling Mytholmroyd Mythology—
The phases of the Hubris Moon
Down in the Maze of Ted’s Navel
Unlocking Ariadne’s Umbilical Cord
All that was easy stuff—
Compared with the last Trick of All
Cleaning the Stables of the Gods
All that man-made manure stuff
__________________
Troubled Jaguar
The London Zoo
Jaguar Sermon I
Jaguar Sermon II
De-evolution
Seancing the Self
_______________
Troubled Jaguar
“The sculpture, which Hughes
gave to his brother, is particularly
striking because he branded the
jaguar's forehead with the letter 'A',
possibly for Assia or "adulterer", as
recalled in Nathaniel Hawthorne's
The Scarlet Letter, in which a woman
is sentenced to wearing the letter
A around her neck.”
—Dalya Alberge, “Ted Hughes's
Jaguar Sculpture Hints at Poet's
Demons,” The Guardian, Dec 31, 2011
http://www.guardian.co.uk/books/2011/dec/31/ted-hughes-jaguar-sculpture-sale
___________________________
But why just Assia?—
Why not Hughes himself
Addicted to adultery like
A jaguar to blood?
Moody Moors male—
Admired by so many for
His unabashed natural
Manhood demeanor
Can we enclose him—
In a cage like a panther
In the London Zoo with
Him behind bars?
_______________________
So many lit crit experts—
Both men and women
And even Queen Elizabeth
Loved his uncouth ways
His wild Yorkshire—
Hunting Fishing Trapping
Worship of the Goddess
Gaia of the Moors?
Was he not what—
Men are supposed to be
Or used to be back when
Men were wild Jaguars?
__________________________
And yet he was caught—
But then he struggled
To be free, this troubled
Man like you and me?
_________________________
The London Zoo
—for Frieda and Nicholas
I took them thru—
The Park to the Zoo
To get them outta that
W. B. Yeats madhouse
Panthers pace back—
And forth in the cages
Monkey-brained humans
Strutting like cheap tarts
I wanted them to see—
How invisible cages
Enclose all of us
Living in a dream
But the slinky jaguar—
Caught my eye and made
Me realize that not even
Poet-Panthers are free
_______________________
Poet-Panther
—for Ted Hughes
I dream in the—
Invisible Zoo slinking
Paw after paw stalking
The human prey
The naked apes yawn—
Eating their peanuts
Monkey-brain humans
Naked ape drowsers
Cheap tarts mincing—
Fatigued by indolence
Shrieking like parrots
Their kids in strollers
The Invisible Zoo—
With bars just as real
As the steel ones
Between them & me
___________________________
Jaguar Sermon I
“No, the serpent didn’t
Seduce Eve to the apple”
—Ted Hughes, “Theology,”
Wodwo
Adam ate the apple—
Then he ate out Eve
And God was jealous
So very displeased
So he cast the Serpent—
Down between Adam’s legs
And made the Snake grovel
And wiggle down there
Casting the Serpent—
All the way down as the
Snake with Two Legs
Walking the naked earth
So the next time—
He raises his ugly head
Smoldering arrogant Snake
Know his Downfall is yours
___________________
Jaguar Sermon II
“That rose slowly
towards me, watching”
—Ted Hughes,
“Pike,” Lupercal
The Snake hardly moves—
Fossil-slow Boa-Constrictor
Captured in the London Zoo
Down between his legs
The era of Giant Lizards—
Isn’t over sitting in its
Prehistoric stillness and
Slow-motion wisdom
Mucousy slug tracks—
Beneath Iago idiot eyeballs
Close to the Killer Cobra
Eclipse of monkey-brains
African Garden of Eden—
Retro-engineered just right
With a flawed genetic code
Panther Killer Chromosome
___________________
De-Evolution
“Had those antlers
fallen from a star?”
—Ted Hughes,
“The Last Migration,”
Uncollected Poems
So God died—
And a new god with a
More narrowed insight
Using the Word reversed
Gazed backward in Time
Standing there was Man—
Pandora Box of Pain
Purposeless pale gristle
Cloying unbelievably
To the empty horizon
___________________________
A Devil with antlers—
Hoisted on a dazed curly head
A Michelangelo body but
A dreary draughty brain
Veiny Baroque Bernini legs
Cluttered there among—
The other unbelievable
Leftovers of hooves and
Antlers and roots that didn’t
Belong to a Garden of Eden
________________________________
Burning the Brothel—
Spiraling Time backwards
Counter-clockwise weightlessly
Shuddering haunches and horns
Into the vortex of words
Quarks quaking—
Black holes suckin in
The tumbling final Thunder
Back thru the eye-pupil
Connecting what had spoiled
___________________
Seancing the Self
“Godforsaken darkness—
This monstrous-headed
difficult child”
—Ted Hughes,
“The Perfect Forms,”
Lupercal
Undoing the Ouija Pan voice—
Remaking the Tarot deck closely
To fit the faces of Eve and the
Periplum perplexities of the Pike
How to make the bars disappear—
The invisible cage in the London Zoo
Undoing the bed we slept in and
Undreaming the Fortune Teller jive
_______________________
Retooling Mytholmroyd Mythology—
The phases of the Hubris Moon
Down in the Maze of Ted’s Navel
Unlocking Ariadne’s Umbilical Cord
All that was easy stuff—
Compared with the last Trick of All
Cleaning the Stables of the Gods
All that man-made manure stuff
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